{"id":187,"date":"2023-02-24T23:01:45","date_gmt":"2023-02-24T22:01:45","guid":{"rendered":"https:\/\/mostre.unimc.it\/bauhaus\/?p=187"},"modified":"2023-05-17T15:43:21","modified_gmt":"2023-05-17T13:43:21","slug":"il-mondo","status":"publish","type":"post","link":"https:\/\/mostre.unimc.it\/bauhaus\/2023\/02\/24\/il-mondo\/","title":{"rendered":"Il mondo"},"content":{"rendered":"<h1>Il Mondo<\/h1>\n<blockquote>\n<p style=\"text-align: justify;\"><span>Il mondo risuona.<\/span><br \/><span>E\u2019 un cosmo di essenze spiritualmente attive.<\/span><br \/><span>Cos\u00ec la morta materia \u00e8 spirito vivo.<\/span><\/p>\n<p style=\"text-align: right;\"><span>Vasilij Kandinskij, 1912<\/span><\/p>\n<\/blockquote>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/bauhaus\/wp-content\/uploads\/sites\/6\/2023\/02\/018-scaled.jpg\" alt=\"\"><\/p>\n<div>\n<p>Una figura di danza &#8220;euritmica&#8221;<\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/bauhaus\/wp-content\/uploads\/sites\/6\/2023\/02\/019-scaled.jpg\" alt=\"\"><\/p>\n<div>\n<p><span>F.Hodler, Il Giorno, 1900<\/span><\/p>\n<\/div>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/bauhaus\/wp-content\/uploads\/sites\/6\/2023\/02\/020-scaled.jpg\" alt=\"\"><\/p>\n<div>\n<p><span>H. Tessenow, Istituto di ginnastica ritmica, 1910<\/span><\/p>\n<\/div>\n<\/li>\n<\/ul>\n<p><!--more--><br \/>\n<!-- {\"type\":\"layout\",\"children\":[{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"default\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-4\"},\"children\":[{\"type\":\"module_position\",\"props\":{\"breakpoint\":\"m\",\"content\":\"sidebar\",\"layout\":\"stack\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"3-4\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"Il Mondo\",\"text_align\":\"center\",\"title_element\":\"h1\"}},{\"type\":\"quotation\",\"props\":{\"content\":\"\n\n<p style=\\\"text-align: justify;\\\"><span>Il mondo risuona.<\\\/span><br \\\/><span>E\\u2019 un cosmo di essenze spiritualmente attive.<\\\/span><br \\\/><span>Cos\\u00ec la morta materia \\u00e8 spirito vivo.<\\\/span><\\\/p>\\n\n\n<p style=\\\"text-align: right;\\\"><span>Vasilij Kandinskij, 1912<\\\/span><\\\/p>\"}},{\"type\":\"grid\",\"props\":{\"content_column_breakpoint\":\"m\",\"css\":\".el-link {\\n    display:none;\\n}\",\"filter_align\":\"left\",\"filter_all\":true,\"filter_grid_breakpoint\":\"m\",\"filter_grid_width\":\"auto\",\"filter_position\":\"top\",\"filter_style\":\"tab\",\"grid_default\":\"1\",\"grid_medium\":\"3\",\"icon_width\":80,\"image_align\":\"top\",\"image_grid_breakpoint\":\"m\",\"image_grid_width\":\"1-2\",\"image_link\":true,\"image_svg_color\":\"emphasis\",\"item_animation\":true,\"lightbox\":true,\"link_style\":\"default\",\"link_text\":\"Read more\",\"margin\":\"default\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"meta_style\":\"text-meta\",\"show_content\":true,\"show_image\":true,\"show_link\":true,\"show_meta\":true,\"show_title\":true,\"title_align\":\"top\",\"title_element\":\"h3\",\"title_grid_breakpoint\":\"m\",\"title_grid_width\":\"1-2\",\"title_hover_style\":\"reset\"},\"children\":[{\"type\":\"grid_item\",\"props\":{\"content\":\"\n\n<p>Una figura di danza \\\"euritmica\\\"<\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/sites\\\/6\\\/2023\\\/02\\\/018-scaled.jpg\",\"title\":\"\"}},{\"type\":\"grid_item\",\"props\":{\"content\":\"\n\n<p><span>F.Hodler, Il Giorno, 1900<\\\/span><\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/sites\\\/6\\\/2023\\\/02\\\/019-scaled.jpg\",\"title\":\"\"}},{\"type\":\"grid_item\",\"props\":{\"content\":\"\n\n<p><span>H. Tessenow, Istituto di ginnastica ritmica, 1910<\\\/span><\\\/p>\",\"image\":\"wp-content\\\/uploads\\\/sites\\\/6\\\/2023\\\/02\\\/020-scaled.jpg\",\"title\":\"\"}}]}]}],\"props\":{\"layout\":\"1-4,3-4\"}}]}],\"version\":\"3.0.25\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il Mondo Il mondo risuona.E\u2019 un cosmo di essenze spiritualmente attive.Cos\u00ec la morta materia \u00e8 spirito vivo. Vasilij Kandinskij, 1912 Una figura di danza &#8220;euritmica&#8221; F.Hodler, Il Giorno, 1900 H. Tessenow, Istituto di ginnastica ritmica, 1910<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/posts\/187"}],"collection":[{"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/comments?post=187"}],"version-history":[{"count":31,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/posts\/187\/revisions"}],"predecessor-version":[{"id":705,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/posts\/187\/revisions\/705"}],"wp:attachment":[{"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/media?parent=187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/categories?post=187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mostre.unimc.it\/bauhaus\/wp-json\/wp\/v2\/tags?post=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}